December 17, 2012 4 Comments
January 26, 2012 1 Comment
The 2012 Oscar Nominations for the 84th Academy Awards were announced earlier this week. Here are the nominees for Best Picture, with links to their official websites, are:
- The Artist
- The Descendent
- Extremely Loud & Incredibly Close
- The Help
- Midnight in Paris
- The Tree of Life
- War Horse
Here are two polls: (A) Which film do you think will win the award for Best Picture? and (B) which film do you think should win the award for Best Picture? You can add detail in support of your answer in the comment box for this post.
June 30, 2011 10 Comments
You may have noticed a shortage of posts recently. With this post, I’m back to flogging the keyboard. And I begin with an explanation.
In April I upped my commitment to motorcycling and purchased a new mount – a Triumph Thunderbird 1600. With plans to do some motorcycle touring this summer, I realized that I could use a little more torque and horsepower than my Honda 250 Rebel could provide. Ahem.
I have the good fortune of living within a mile of one of America’s best-selling retailers of one of Great Britain’s most enticing exports: the Triumph line of motorcycles. Though the temptation to make frequent visits proved irresistible, I managed for a couple of years to restrain my impulse to “gear up.” Then, in April, Triumph rolled in their 2011 demos. This was my chance to see what I really thought of the Triumph America that had me drooling. I rode it and liked it. Of course. Then I rode the Speedmaster and decided there wasn’t much difference between them. Somebody suggested I ride the newly-released Triumph Thunderbird Storm. Okay, why not?
Why not, indeed! The America quickly dropped from the radar. In other words, the 1700 cc displacement of the Storm blew the 860 cc powerplant of the America right out of my mind. Literally within seconds of starting out on the Storm, I knew it was too good to be true. I would have to “settle,” now, for the America while dreaming of a Storm receding on the horizon. The Storm was just too much bike for too much money.
Out of curiosity, I jumped into the saddle of the Thunderbird 1600, the “base model” Thunderbird. The difference in torque was significant, but it had a lot of the virtues of the Storm. And the price was a bit lower. Not low enough for my wallet, though.
So I went home to study up on the America, hoping I could be persuaded that it was the right bike. Along the way, I made the mistake of reading reviews of the Thunderbird 1600, introduced in 2009. This Triumph was uniformly trumpted as the crusier to turn heads. In 2009 and 2010, it was judged best cruiser on the road in North America.
Meanwhile, back at SoCal Triumph, they were lowering the price on the 2010 Thunderbird 1600 to make room for the new 2011′s. Jay, their chief salesman, was by now a familiar face. He could read me pretty well. My commitment to the America had grown tentative. To his credit, Jay never pressured me to go for the T-bird. But he did see me gravitating in that direction. And he did tell me that in addition to the special they were running on the 2010, they would include a windscreen, a touring seat, and a sissy bar and pad in the price. The only thing that didn’t resonate with me (still doesn’t) was the concept of a sissy bar. But that wasn’t a deal-breaker. The only remaining question was what 2010 Thunderbirds they had in stock. I was in luck. There was one blue bike in the inventory, with a wide white stripe garnishing the tank and fenders.
I immediately realized that I would find a way to crunch the numbers in favor of the Thunderbird. This would take some time and effort. Intense concentration would be required. I would have to put a hold on blogging for a few days.
A few days. That was in April. So why so long getting back online?
I bought the Thunderbird, that’s why. And a new Thunderbird has to be broken in. You understand.
Now, 3500 miles later, I’m back to check in here. And since the next best thing to riding is talking about riding, here I am talking about the new ride. I’m sure future posts will report on specific rides. Here I’ll just note that a week ago I returned from a five-day, 1500-mile jaunt up the California coast and back. For the past week I’ve been scheming and planning. Mid-July I hope to be back on a northerly bearing, this time with Washington state’s Olympic Peninsula as a destination. The trip will include numerous visits with friends and family, some camping, and lots of great riding.
I’m already thinking about future trips. A guy’s got to justify his guilty purchases! Maybe some day my travels will bring me to your door, every bone in my body vibrating, a sleeping bag in my tingling hands, asking the favor of a roof over my head.
I didn’t see a single other Triumph on the road during my recent coastal tour. Lots of Harleys, though. I’m happy to report that Harley riders have been remarkably friendly. I won’t say they’re jealous. I might think it, but I definitely won’t say it. I’m outnumbered about a million to one.
January 27, 2011 2 Comments
Oscar Nominations are in. Here are my picks for seven categories.
• Best Actress: no opinion
• Film Editing: “The Fighter”
• Special Effects: “Inception”
What are your picks?
August 31, 2010 Leave a comment
First Place: Knight and Day
Second Place: SALT
Third Place: The Expendables
Knight and Day are a romantic duo. Salt is a solo maverick. The Expendables? They’re a team . . . sorta. Neither Knight and Day nor The Expendables is serious; but Knight and Day is funny, and The Expendables isn’t. Knight and Day entertains on many levels, and has something for most audiences. The Expendables entertains on pretty much one frequency—violent action peppered with salty language.
Salt is less memorable weeks after seeing it, but engaging at the time. There are real surprises that swing this movie into the range of genuine suspense.
There is one salvageable line in The Expendables: “I’m Buddha; he’s Pest.” Sylvester Stallone is a smart guy, and he could have (should have) written and directed a better movie than this. The abiding question for audiences will be, “How old can you be and still do action figures?”
Most important prop in:
My choice of best actor for these three movies may surprise: Mickey O’Rourke, in . . . The Expendables. And it’s not because I’m a big O’Rourke fan. I’d have to confess to being more of an Angelina Jolie fan, though Cameron Diaz is pretty endearing opposite Tom Cruz. And Tom Cruz is the funniest he’s been, without stepping out of character, in Knight and Day.
Women can stay home from The Expendables, unless they really want to see what grown—and old—men look like playing the good bad guys against the odds. I will say that I’d rank The Expendables over Ghost Rider, which somehow comes to mind for comparison purposes. Go figure. The Expendables is more of a contemporary version of Sam Peckinpah’s The Wild Bunch. ‘Nuff said?
August 3, 2010 3 Comments
GIGA Quotes, an online source for quotations, has listed 43 pages of first lines from books, beginning with Merrian-Webster’s Collegiate Dictionary. This amounts to more than 2300 first-line excerpts from “classical, notable and bestselling books” (here).
First lines interest me. They interest me as an author, and as a reader. Read more of this post
May 14, 2010 1 Comment
And Then There Were None (USA, 1945), directed by René Clair, is the original film adaptation of the famed Agatha Christie novel. The novel is the best-selling mystery thriller of all time and one of the top 10 best-sellers among all books in English. The film is popular, too, on IMDb and Amazon.
Discussion Guide: Read more of this post
April 11, 2010 Leave a comment
I didn’t see Inglourious Basterds in the theater. It sat in my Amazon Video on Demand queue until last night.
I know it was a popular nominee for various Academy Awards recently. But I haven’t read any reviews and I’m not sure I ever saw a trailer. That’s all for the good. I didn’t know what to expect, and that surely made seeing the movie a better experience. Read more of this post
February 8, 2010 Leave a comment
Our publisher has recently announced that our book Faith, Film and Philosophy: Big Ideas on the Big Screen is now available through “Read How You Want”—a company that customizes select books for readers with reading difficulties. This is good news for readers who will benefit from the special formatting provided by this company. Read more of this post
January 13, 2010 9 Comments
Why We Fight is a documentary film directed by Eugene Jarecki. According to the DVD cover, this film “launches a nonpartisan inquiry into the forces—political, economic, and ideological—that drive America to fight.” Why We Fight was awarded the Grand Jury Prize at the Sundance Film Festival in 2005.
I’ve screened this film in my course on “Faith, Film and Philosophy.” Here are the discussion questions I developed for use in discussing this film: Read more of this post